Avantisundari - Princess of Intellect

Avantisundari

Princess of intellect - rhetorician and poet

Avantisundari - Her life and her times

Avantisundari was an exceptionally accomplished woman who lived in the 9th and 10th century CE in the kingdom of the Gurjara-Pratihara, a dynasty which ruled over an extensive area in North India extending upto the Narmada in Central India. Her husband Rajasekhara, court poet and grammarian, writes of her as ‘a jewel of a Chahamana or Chauhan family’ which means she was a princess, in the opinion of Sanskrit scholar and musicologist V Raghavan. The couple entered into anuloma, an intercaste marriage. The practice was accepted by society at the time. 

Rajasekhara the mentor

Rajasekhara was an unusual individual in that he not only encouraged the talented Avantisundari in her literary pursuits but also wrote of other talented poetesses in his own verses. Even today when this open-hearted attitude towards female accomplishments is not all-pervasive, what Rajasekhara did more than ten centuries back was unusual. The references he makes have in turn come down to us today. For example, verses attributed to Rajasekhara in Jalhana’s Suktimuktavali (1258 CE) mention the poetesses Shilabhattarika, Vikatanitamba, Vijayanka among others. Rajasekhara firmly says that poetic ability is not based on gender but is a part of the inner soul. He writes "Women also can become poets like men. Culture is really an element of the soul. It does not make a distinction between male and female. We have heard of and even seen princesses, daughters of great officers of the state, courtesans and the wives of cultured people who had all the refinements of learning and were poets too."

Avantisundari and her work

Such were Avantisundari’s abilities that Rajasekhara freely acknowledged her poetic talent and quoted her in his work Karpura Manjari written in Prakrit. He acknowledges that he produced and staged this work at her encouragement and request.

Avantisundari had opinions on three aspects of literary criticism that Rajasekhara mentions in his Kavyamimamsa. These were -
what is meant by maturity of expression
what exactly is the poetic idea
the broader aspect of poetic borrowing, which at a base level becomes plagarism.

These are issues that creative artists are grappling with even today, more than ten centuries later!

Avantisundari wrote in Sanskrit and Prakrit. Apart from that, Avantisundari’s work as a rhetorician led to her stanzas being quoted by Hemachandra in the 11th century CE in his Deshi Namamala to illustrate the meanings of Prakrit expressions. 

Nothing much else is known about this interesting literary luminary who chose to specialise in an esoteric aspect of rhetoric and poetry. Today we only know of Avantisundari thanks to references to her works in others’ anthologies. Unfortunately none of her works has been discovered so far.

Relevance of the Avantisundari-Rajasekhara partnership today

Reading about Avantisundari and Rajasekhara’s mindsets at the period from the end of the 9th century CE to the beginning of the 10th century CE brings one thought to mind. Trends and thought processes in society seem to go around in circles. What goes around comes around. It’s fascinating how the issues we face today on gender parity, encouragement to female education and intercaste marriages are nothing new at all. We really don’t need to reinvent the wheel, we only need to take a look at how Avantisundari and Rajasekhara twelve centuries back negotiated their way with finesse and an openmindedness we would do well to emulate. 

Do you agree with me? Do write in. 

Reference:

Prekshanakatrayi - V Raghavan

Great Women of India - Editors: Swami Madhavananda and Ramesh Chandra Majumdar

Naganika - The Empress Who Wrote in Stone

Naganika

The Empress Who Wrote in Stone

Queen Naganika (also referred to as Nayanika) was of the mighty Satavahana empire, one of the biggest kingdoms in Indian history - you probably have faint recollections of reading about the dynasty in History class at school. Unless you are a Indian history or archaeology afficionado, the name may not ring a bell. But at one time, in the 2nd century BC, theirs was one of the pre-eminent empires of the Indian mainland. Historians believe that the Satavahana empire included present-day Telangana and Maharashtra, and at times northern Karnataka, parts of Madhya Pradesh and Saurashtra. Roman sources mention that it comprised several villages and 30 walled towns. The army was huge with 1,000 elephants. The Satavahana developed the port of Machilipatnam (also known as Masulipatnam) at the mouth of the River Krishna. It was a great natural harbour on the Bay of Bengal. The Satavahana connected Machilipatnam on the east coast and Sopara on the Arabian Sea on the west coast by a land route across the kingdom spanning the width of the Indian mainland.

The Satavahana capital was Pratishthana (modern Paithan in Aurangabad district of Maharashtra) in western India. Naganika was consort of Satakarni. He ruled over the vast area south of the Narmada, traditionally called the Dakshinapatha region, for about 56 years. Naganika was very deeply involved in the governance of the kingdom. She was born in the powerful Amgiya or Ambhiya family who were called Maharathi (warriors with mastery over all forms of combat and weapons).

The Satavahana kingdom was based in the Godavari valley and their rule lasted from 221 BC to 

102 CE. The exact dates are disputed by historians, but this period is generally accepted. Satakarni twice performed the Ashwamedha Yagna (the horse sacrifice), a fact that indicates that his undisputed power was acknowledged by neighbouring rulers.

During the Ashwamedha Yagna, a specially chosen horse was allowed to run free for a fixed 

period of time (one year or half a year, depending on sources) outside the boundaries of the 

empire, followed by a retinue who made sure it was well looked after. If the ruler of the territory in which the horse ran accepted the overlordship of the ruler who had sent the horse, he would 

welcome it into his kingdom. If he challenged it, however, he would have to fight the army 

accompanying the horse. Upon defeat he would have to accept that he was the vassal of the ruler who sent the horse. It follows that the Ashwamedha Yagna was performed only by the truly powerful kings and the very fact that one performed it was a known mark of power.

Naneghat Pass stone steps
(www.commons.wikipedia.org
Author - Pratikbuttepatil52)

Naganika lived more than 2000 years ago. Apart from sources such as the Puranas and other 

texts that mention that era, we know of Naganika because of an inscription in her name in a cave in Naneghat, a mountain pass in the Western Ghats which links the road from Pratishthana and other parts of the Deccan to ports on India’s west coast, i.e. the Konkan, and to the ancient town of Junnar, an important political and trading centre. Recently a silver coin with the names of Satakarni and Naganika inscribed on it was found near Junnar.